By Marcelo Fernandez Bitar

ISBN-10: 9500754290

ISBN-13: 9789500754293

El rock en los angeles Argentina celebra su cumpleaños número 50 y esta es su historia. Autor de un libro mítico e inconseguible de 1987 (reeditado en 1993 y 1997), Marcelo Fernández Bitar agrega información y testimonios recopilados a lo largo de toda su carrera como periodista especializado, para ofrecer l. a. obra definitiva sobre los angeles música más renowned de l. a. Argentina, esa que, como cube Adrián Dárgelos en su prólogo, es capaz de pelearle "el lugar en el airplay al estilo que se esté imponiendo".
Aquí están todos los nombres y todos los hechos, año a año. ¡Y todos los discos! Porque, además de ser un relato cronológico impecable e implacable sobre los angeles construcción de esa enormidad multiforma llamada "rock nacional", incluye l. a. discografía completa de estas cinco décadas. Un ejemplar único y enorme, para recordar, para descubrir y para que el rock jamás baje el volumen. Un clásico remasterizado.

"El rock aquí es todo ese sentido que, como felicidad o angustia, transgrede permanentemente un delgado hilo de los angeles realidad argentina, aun a costa de que al crecer luego uno se sienta como un turista marciano."
Luis Alberto Spinetta (de los angeles Introducción a los angeles primera edición, 1986)

"Este libro intenta registrar l. a. historia de las ediciones y apariciones en escena de los músicos y sus discos, lo que compone al rock nacional. Esta titánica tarea es una edición que conmemora 50 años de rock nacional."
Adrián Dárgelos

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These kings exercised their power by acquiring wealth and status from those around them in return for their divine intervention. However, these divine kings were not as politically powerful as one might expect; because prestige was the basis for their rule, their authority extended only as far as their repute. Furthermore, their claim to authority was greatly weakened if their divine interventions failed. Historian Oliver Wolters has compared the way the political units under these god-kings operate to a mandala.

Both parties are “rich” because they share each other’s wealth. The social benefits of these mutual reciprocal relationships seem to be greater than the sum of their parts. Reciprocity also takes the form of mutual cooperation between individuals when it comes to agricultural concerns. The staple crop in most parts of Southeast Asia is rice; rice is a marsh plant that acquires nutrients not from the soil but rather from standing water. As a result, if rice is cultivated in a wet, marshy environment, it can be grown in the same plot year after year without exhausting the soil (Higham 1996: 322–323).

Khmer musicians therefore think of the chhing/chhepp ostinato as a cycle—a pattern of hierarchical accents, marked by chhing and chhepp sounds, that repeats. The geometric figure of a circle provides a convenient metaphor for representing a musical cycle; circles are the stuff of which mandalas are made as well. Correlating a cyclical concept with the organizing principle of musical ostinato once again redirects and recontextualizes a Southeast Asian musical process to legitimize a new, Indic approach to cosmic order.

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50 años de rock en Argentina by Marcelo Fernandez Bitar


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