By Irene Earls
The Renaissance stands as, arguably, the main major interval within the heritage of paintings. writer Irene Earls presents biographical chapters for every of the 10 most famed artists from the ecu Renaissance: Alberti, Brunelleschi, Donatello, Fra Filippo Lippi, Giotto, Leonardo, Mantegna, Masacio, Michelangelo and Raphael. each one bankruptcy lines the formative years and inventive improvement of the artist, recounts in brilliant element his such a lot noteworthy creations, locations his paintings inside of inventive, cultural, and philosophical (often spiritual) contexts, and examines the ways that the artist inspired next generations of artists. A timeline, bankruptcy bibliographies, a word list of phrases, and a subject matter index offer extra instruments for readers gaining knowledge of artists from this exceptional interval of creative construction and rebirth.
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Additional resources for Artists of the Renaissance
Bibliography Burckhardt, Jacob. The Civilization of the Renaissance in Italy. Vol. 1. New York: Harper & Row, 1958. Earls, Irene. Renaissance Art: A Topical Dictionary. Westport, CT: Greenwood Press, 1987. Gidion, Sigfried. Space, Time and Architecture. 5th ed. Cambridge, MA: Harvard University Press, 1970. Hartt, Frederick. History of Italian Renaissance Art. Englewood Cliffs, NJ: Prentice Hall, Inc. and New York: Harry N. , 1987. Holt, Elizabeth. Ed. A Documentary History of Art. Vol. 1. , 1957.
He argued that a close relationship between colors and lights with respect to the way an individual perceives objects exists. He gave colors original and new symbolic references: Red, for example, symbolizing sacriﬁce and Christian love in early Christian and Gothic art (used especially in stained glass), refers in Alberti’s work to ﬁre. Blue, originally indicating truth (Mary, mother of God, wears blue), symbolizes air. Green, originally representing new life, Alberti used when referencing water.
Pevsner, Nikolaus. An Outline of European Architecture. New York: Penguin Books, 1981. Summerson, John. Heavenly Mansions and Other Essays on Architecture. W. , 1963. ———. The Classical Language of Architecture. Cambridge, MA: MIT Press, 1971. CHAPTER 2 Filippo Brunelleschi, 1377–1446 Florentine goldsmith, clockmaker, and architect Filippo di Ser Brunelleschi, called Filippo Brunelleschi and “Pippo,” is remembered for ideas so revolutionary they changed the course of architectural history. Such projects as his cupola, or dome, of Santa Maria del Fiore (the Florence Cathedral), a structural engineering miracle, made use of a double-shell construction for the ﬁrst time.
Artists of the Renaissance by Irene Earls